{"id":43,"date":"2014-10-06T15:12:46","date_gmt":"2014-10-06T15:12:46","guid":{"rendered":"http:\/\/meganquigley.com\/?page_id=43"},"modified":"2026-09-18T17:23:53","modified_gmt":"2026-09-18T17:23:53","slug":"publications-2","status":"publish","type":"page","link":"https:\/\/meganquigley.com\/?page_id=43","title":{"rendered":"Publications"},"content":{"rendered":"
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<\/a>Eliot Now<\/a>. Co-Editor with David E. Chinitz. London: Bloomsbury, August 2024. (PB August 2025)<\/p>\n

Modernist Fiction & Vagueness: Philosophy, Form, and Language. <\/a>Cambridge:\u00a0<\/span>Cambridge University Press, 2015. (PB 2018)<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0–Modernist Fiction & Vagueness: Bibliography<\/a><\/p>\n

\u00a0 \u00a0 \u00a0 –La Narrativa Modernista e la Vaghezza.\u00a0<\/u>\u00a0Ermeneutica Letteraria<\/em> 15 (2019) 29-46.<\/p>\n

“‘Refined Out of Existence: Modernist Impersonality Revisited.”<\/u> Modern Fiction Studies<\/em>. Special Issue on Cultural AI. Ed. Richard Jean So and Aarthi Vadde. 2027.<\/p>\n

“‘Reading Klara and the Sun <\/em>with AI: What does ChatGPT think makes humans unique?”.<\/u><\/a>\u00a0Logic, Modern Literature and Artificial Intelligence.<\/em> Ed. Rachel Falconer and Sangam MacDuff. London: Bloomsbury, 2027.\u00a0<\/p>\n

“‘Perfectly good, normal and right’: Eliot, Intimacy and Abnormality.<\/a>“<\/u> T. S. <\/em>Eliot Annual<\/em>, vol. 6. (Summer 2024).<\/p>\n

“Mature Fans Steal: Eliot’s Fictions.”<\/a> Eliot Now.<\/a> Ed. Quigley & Chinitz. London: Bloomsbury, 2024.<\/p>\n

\u201cIntroduction: Forum: Teaching\u00a0<\/a><\/u>The Waste Land<\/u><\/em>,”<\/u> with John Whittier-Ferguson. T. S. <\/em>Eliot Annual<\/em>, vol. 5. (Summer 2023).<\/p>\n

“Hugh Kenner as an Eliot Fan.”<\/a>\u00a0Nonsite #<\/em>42. Special Issue on Hugh Kenner. (April 2023).<\/p>\n

“What if? New Insight into the Friendship of Virginia Woolf and T. S. Eliot,”<\/a> Los Angeles Review of Books<\/em> (12.27.21)<\/p>\n

#MeToo and Modernism<\/a>. Modernism \/ modernity<\/em>, Print Plus. (2020)<\/p>\n

“Reading Virginia Woolf Logically: Resolute Approaches to The Voyage Out and Wittgenstein’s Tractatus.”<\/a> Poetics Today<\/em> (2020) 41 (1):101-116.<\/p>\n

Reading The Waste Land<\/em> with the MeToo Generation<\/a>. Modernism \/ modernity<\/em>, Print Plus. (2019)<\/p>\n

\u201cWhy \u2018East Coker\u2019 is Still Shocking: The Annual East Coker Lecture.\u201d<\/span><\/a> The Journal of the T. S. Eliot Society\u00a0<\/em>(2014): 34-49. Print.\u00a0<\/span><\/p>\n

“Ireland.”<\/a> Cambridge Companion to European Modernism<\/em>. Ed. Pericles <\/span>Lewis.\u00a0<\/span>Cambridge: Cambridge University Press, 2011.<\/p>\n

“Modern Novels and Vagueness.”<\/a> Modernism\/modernity<\/em>, 15.1 (2008) 101-129. Print.<\/span><\/p>\n

“Beastly Vagueness in Charles Sanders Peirce and Henry James.” <\/a><\/span>Philosophy\u00a0<\/span>and Literature<\/em>. 31:2 (October 2007) 362-377.<\/p>\n

Introductory Essays on Forty Victorian and Twentieth-Century <\/span>Irish\u00a0Playwrights.<\/span><\/span>The Leonard L. Milberg Irish Theater Collection. Ed. Howard\u00a0Woolmer. Princeton: Princeton University Press, 2006.<\/p>\n

“Justice for the ‘Illstarred Punster’:<\/a> Samuel Beckett & Alfred P\u00e9ron’s <\/span>Revisions\u00a0<\/span>of\u00a0‘Anna Lyvia Pluratself.'” James Joyce Quarterly<\/em>. 41:4 (2006)\u00a0469-487.<\/p>\n

“Ian McEwan.” <\/span>The Oxford Encyclopedia of British Literature<\/em>. Ed. David\u00a0<\/span>Scott\u00a0<\/span>Kastan. Oxford: Oxford University Press, 2006.<\/p>\n

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Eliot Now. Co-Editor with David E. Chinitz. London: Bloomsbury, August 2024. (PB August 2025) Modernist…<\/p>\n

Read the postPublications<\/span><\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-43","page","type-page","status-publish","hentry","excerpt","zoom","full-without-featured","even","excerpt-0"],"_links":{"self":[{"href":"https:\/\/meganquigley.com\/index.php?rest_route=\/wp\/v2\/pages\/43","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/meganquigley.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/meganquigley.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/meganquigley.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/meganquigley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=43"}],"version-history":[{"count":65,"href":"https:\/\/meganquigley.com\/index.php?rest_route=\/wp\/v2\/pages\/43\/revisions"}],"predecessor-version":[{"id":607,"href":"https:\/\/meganquigley.com\/index.php?rest_route=\/wp\/v2\/pages\/43\/revisions\/607"}],"wp:attachment":[{"href":"https:\/\/meganquigley.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=43"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}