Publications

Eliot Now. Co-Editor with David E. Chinitz. London: Bloomsbury, August 2024. (PB August 2025)
Modernist Fiction & Vagueness: Philosophy, Form, and Language. Cambridge: Cambridge University Press, 2015. (PB 2018)
–Modernist Fiction & Vagueness: Bibliography
–La Narrativa Modernista e la Vaghezza. Ermeneutica Letteraria 15 (2019) 29-46.
“‘Perfectly good, normal and right’: Eliot, Intimacy and Abnormality.” T. S. Eliot Annual, vol. 6. (Summer 2024).
“Mature Fans Steal: Eliot’s Fictions.” Eliot Now. Ed. Quigley & Chinitz. London: Bloomsbury, 2024.
“Introduction: Forum: Teaching The Waste Land,” with John Whittier-Ferguson. T. S. Eliot Annual, vol. 5. (Summer 2023).
“Hugh Kenner as an Eliot Fan.” Nonsite #42. Special Issue on Hugh Kenner. (April 2023).
“What if? New Insight into the Friendship of Virginia Woolf and T. S. Eliot,” Los Angeles Review of Books (12.27.21)
#MeToo and Modernism. Modernism / modernity, Print Plus. (2020)
“Reading Virginia Woolf Logically: Resolute Approaches to The Voyage Out and Wittgenstein’s Tractatus.” Poetics Today (2020) 41 (1):101-116.
Reading The Waste Land with the MeToo Generation. Modernism / modernity, Print Plus. (2019)
“Why ‘East Coker’ is Still Shocking: The Annual East Coker Lecture.” The Journal of the T. S. Eliot Society (2014): 34-49. Print.
“Ireland.” Cambridge Companion to European Modernism. Ed. Pericles
Lewis. Cambridge: Cambridge University Press, 2011.
“Modern Novels and Vagueness.” Modernism/modernity, 15.1 (2008) 101-129. Print.
“Beastly Vagueness in Charles Sanders Peirce and Henry James.”
Philosophy and Literature. 31:2 (October 2007) 362-377.
Introductory Essays on Forty Victorian and Twentieth-Century
Irish Playwrights.The Leonard L. Milberg Irish Theater Collection. Ed.
Howard Woolmer. Princeton: Princeton University Press, 2006.
“Justice for the ‘Illstarred Punster’: Samuel Beckett & Alfred Péron’s
Revisions of ‘Anna Lyvia Pluratself.'” James Joyce Quarterly. 41:4 (2006) 469-487.
“Ian McEwan.” The Oxford Encyclopedia of British Literature. Ed. David Scott Kastan. Oxford: Oxford University Press, 2006.
